43 years into her life, Gwenno Saunders has been many people. The disaffected Cardiff schoolgirl; the teenage Las Vegas dancer; the singer in indie pop group The Pipettes. There was a turn in a Bollywood film, a nightclub tour, a stint cleaning floors in an East London pub. Long before she would become an acclaimed solo songwriter in both Welsh and Cornish, a winner of the Welsh Music Prize, a nominee for the Mercury, a Bard of the Cornish Gorsedh, there were the days of Nevada, London, Brighton; of Irish dancing, techno clubs, messiness and chaos. Utopia, Saunders' fourth solo album, is an extraordinary exploration of all of these selves. If the singer regards her first three solo records -- 2014's Y Dydd Olaf, 2018's Le Kov and 2022's Tresor as "childhood records", rooted in her upbringing, her parents, her formative identity, then Utopia captures a time of self-determination and experimentation. These are songs of discovery, of the years between being someone's daughter and becoming someone's wife and someone's mother. They range from floor-fillers to piano ballads, via contributions from Cate Le Bon and H. Hawkline, and encompass William Blake, a favourite Edrica Huws poem, and the Number 73 bus. It is her finest work to date. 1. London 1757 2. Dancing on Volcanoes 3. Utopia 4. Y Gath 5. War 6. 73 7. The Devil 8. Ghost of You 9. St Ives New School 10. Hireth